The Genie City Partnerships ↗

Original story world  ·  Books / Game / Film

TheGENIECity

One degree left on the quantum axis.

An original comic-philosophical universe where Genies play tricks on humans, on one another, and on almost anything unfortunate enough to become interesting.

You are standing one degree left on the quantum axis, where the colour is. The dial will take you back to how adults see it, if you want to know what you are missing.

An original hand-drawn Genie portrait: a pale three-eyed face with long beaded earrings.

Original world archive

01 / The proposition

Comedy on the surface. Consequences underneath.

Genies were created to give humans superpowers. Then they became bored, and discovered tricks.

A trick may begin with salt in a coffee, a missing key, or a doorway that empties your head of the reason you walked through it. What follows can be ridiculous, uncomfortable, transformative, or all three at once.

The philosophy is never announced as a lesson. It arrives later, inside the consequence, after everyone — including the Genie — has misunderstood what the joke was really doing.

An original hand-drawn view of the Genie world: spiralling hills, small figures and a patterned ground.

Original world drawingThe Genie City archive

01

Mischief first

The invitation is funny, strange and immediately playable. Not worthy, and never moralising.

02

Meaning later

Self-discovery arrives through consequences rather than being explained in advance.

03

One coherent canon

Books, game and film reveal different dimensions of the same authored universe.

03 / The rules of the place

Everything here is invented. None of it is arbitrary.

One degree left on the quantum axis

They live on this Earth, on the same streets, just shifted along the quantum axis. Lighter, brighter, and not quite solid. Angels, elementals, dwarfs and elves are neighbours.

They cannot touch you

Not a hair on your head. Everything a Genie does, it does through your subconscious, or occasionally through the quieter voice above it.

Children can see them

This is what imaginary friends are. It is also why nobody believes children, which the Genies find funny and a little sad.

Faces change colour

Blue is sad. Red is angry. Pink is satisfied. Yellow means a trick is being planned. They can hold a poker face. They rarely bother.

Nobody is ever a baby

Genies choose their age on arrival, and they now all choose to arrive as children with a clean slate, so that the past cannot sit on them and spoil the present.

Work is called plark

Play plus work. They have never needed a second word for it, and they consider our having two words a symptom of something.

Joy is a religion

Life is a game. You must not take a game too seriously or you will miss it entirely. This is the closest thing the city has to a law.

1,244,789 skills

At the most recent count. There is a government department that does nothing but keep the list, and the list refuses to hold still.

04 / The colours

A Genie cannot lie about how it feels. It can only decline to mention it.

The palette on this page is not a design decision. It is the world's.

When a Genie's mood changes drastically, the colour of its face changes with it, and the expression feeling blue came into the human language the long way round.

PinkSatisfied. In the book, overwhelmed by true happiness.
YellowReady to make tricks.
OrangeAbstract thinking.
RedAngry.
BlueSad.
Black with white dotsVery, very sad.
GreenMaybe you have eaten something bad and want to vomit.
BeigeYou show compassion and care for someone.
VioletWhen you are confused.
GreyBoredom.
GoldUnrecorded.
SilverAlso unrecorded.
BronzeNobody has written this one down either.
RainbowRare. Continuously moving. In the Genie City these are the ones they honour.

Gold, silver and bronze have never been written down. The department that keeps the list is aware of the omission and has formed a view about whose fault it is.

And the walls of their houses

RedYou would rather not have guests.
Light glowing greenYou would love to receive people.
White with pink dotsOne is not home, but anyone who feels like it may come in, and is welcome.

05 / Evidence of depth

A world with enough inside it to keep opening.

Most of them are called Johnny. This has never been satisfactorily explained.

Drawn by hand in pencil, ink, wash and coloured pencil, in sketchbooks. Nothing here was generated, and nothing has been tidied up.

Uncle Johnny, drawn in ink: a long face with a heavy orange moustache and a rounded body.
Uncle Johnny Keeps his belly that shape deliberately. The children like to sit on it. Currently compiling 1001 ways to comb your moustache depending on its colour at the moment.
Johnny the Genius, drawn in gold and olive: a tall face with a wide hat and a moustache tipped with small flowers.
Johnny the Genius Led the expedition that shrank three Genies to the size of quarks in order to find out where the tiny little big monster of change actually lives.
Johnny Plantseed, drawn in ink: a face beneath a band of small growing flowers.
Johnny Plantseed When asked whether the shrunken Genies could still hear the crowd, he said: they are small, not deaf.
Johnny Paleskin, painted on green: a pale three-eyed face in a striped turban.
Johnny Paleskin Says let's go into the Mixer the way other people suggest lunch.
Johnny Greeneyes, drawn on black: a pale face with three green eyes and long beaded earrings.
Johnny Greeneyes Third eye open. Among those who maintain that this is chiefly a nuisance, because it moves independently and distracts you when driving.
Johnny the Rastaman, drawn in blue and colour: a face with long beaded dreadlocks.
Johnny the Rastaman The one who, when the crowd had already guessed atom, said smaller, and looked rather pleased about it.
Johnny Straw-Hair, drawn in pale blue pencil: a narrow face under upright straw-like hair.
Johnny Straw-Hair Rhymes when the situation calls for it, and also when it does not. Stay alert. Nothing here hurts, but you can step on something.
Johnny the Clover Lover, drawn in green: a face with clover stems growing from the head and shoulders.
Johnny the Clover Lover Difficult to summarise. Genies sometimes merge with plants to find out how a plant perceives the world. He has not entirely come back.
Johnny Yelloweyes, painted on yellow-green: a grey face with one large yellow eye.
Johnny Yelloweyes On being told the shrunken expedition would be sprinkled onto a human's breakfast: Sprinkle them? Have they become black pepper now?
Johnny Eyelashes, drawn in pink and grey wash: a soft face dominated by one enormous curling eyelash.
Johnny Eyelashes Went on the expedition. Used the journey to ask Uncle Johnny why he chooses to have his figure like that.
Johnny the Lollipop, drawn in yellow: a round three-eyed face with a curling moustache and spiked pink hair.
Johnny the Lollipop Three eyes, one moustache, no fixed occupation, considerable local standing.
Maria Feather-ton, drawn in pink and green pencil: a face framed by long green hair and hanging feathers.
Maria Feather-ton One of the few not called Johnny. She declines to discuss how she managed it.
A bold original drawing of a Genie's face in black, gold and green, with a laurel of colour across the head.

Original character archiveCharacters · places · powers · tricks · metaphysics

06 / From Book One

The canon begins on the page.

There is a whole world that most people can't see. It's the world of angels, elementals, dwarfs, elves, and fairies. They live on the same Earth people do, just one to five degrees to the left on the quantum axis. The ones who can see these worlds almost all the time are… children. That's the reason why they have what adults call "imaginary" friends. But the reality is that these friends are not imaginary at all. They are as real as the table leg where you hit your pinky toe and cry like a baby from the pain.

"So, what is real in this world, dear adults?" a Genie asks.

The Genie City, Book One — A Creation Story

07 / Partnerships & rights

The world exists. Its next forms need partners.

Game

Development & publishing

A partner for a polished vertical slice, production planning and commercial development.

Book

Publishing & representation

Conversations with publishers and literary partners who understand expandable story worlds.

Film

Feature development

Producers and creative partners for the boy's journey into, and away from, the Genie City.

Create enough clarity for the right person to recognise the opportunity, and enough mystery for them to want to enter the city.The Serendipity Plan

Request the creative conversation.

George Gold is the author pseudonym of George Gold Zlatev. The full manuscript, a synopsis and sample pages are available on request.

You have just been made to forget that you were wearing your glasses. Nothing was taken, and the Genie has now had enough fun. Book One — Genies' Skills and Abilities